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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
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CORNEMUSE
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FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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HARPE
HAUTBOIS
LIVRES
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MANDOLINE
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Chorale SATB
66
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VENTS
Quatuor de Saxophones: 4 saxophones
15
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14
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12
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5
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4
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Quatuor de Flûtes : 4 flûtes
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3
Quintette de Clarinettes: 5 clarinettes
3
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2
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2
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2
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2
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2
Saxophone
2
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1
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
Trompette
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Trombone et Piano
6
Cor et Piano
6
Trompette, Saxophone (duo)
5
2 Trombones (duo)
4
Cor
4
2 Trompettes (duo)
4
Trombone
4
Trompette, Trombone (duo)
3
Euphonium, Piano (duo)
3
Quatuor de cuivres: 4 trombones
3
Trompette (partie séparée)
2
Tuba et Piano
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Ensemble de Trompettes
2
3 Trombones (trio)
2
Tuba et Orgue
2
Quatuor de Cuivres
2
Trompette, Piano
1
Tuba
1
Instruments en Sib
1
2 Cors (duo)
1
Trombone (partie séparée)
1
Quatuor de cuivres: 4 cors
1
2 Tubas (duo)
1
Bass Clef Instruments
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Cor anglais, Piano
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
22
Harpe
14
Violon et Piano
14
Violoncelle, Piano
9
Violon
8
2 Altos (duo)
6
Alto, Piano
6
2 Violons (duo)
5
Violon, Alto (duo)
5
Violon, Violoncelle (duo)
5
Contrebasse, Piano (duo)
5
Trio à Cordes: violon, alto, violoncelle
5
Alto seul
4
2 Violoncelles (duo)
3
Violoncelle
3
4 Violoncelles
3
Violoncelle (partie séparée)
2
Trio à Cordes: 2 violons, violoncelle
2
Quatuor à cordes : 4 altos
1
Contrebasse (partie séparée)
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 3 violoncelles
1
Contre Basse
1
Alto et Harpe
1
Quatuor à cordes: 4 violons
1
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PERCUSSIONS & ORCHESTRES
Orchestre
16
Orchestre d'harmonie
15
Ensemble de Percussions
11
Orchestre à Cordes
9
Ensemble de cuivres
8
Orchestre de chambre
6
Percussion (partie séparée)
3
Cloches
3
Batterie
2
Jazz combo
2
Percussion
1
Orchestre, Violon
1
Caisse Claire
1
Fanfare
1
Ensemble Jazz
1
2 Caisses Claires (duo)
1
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AUTRES
Vous avez sélectionné:
Four For Tee
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Four For Tee
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.938206 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.938206 Composed by Mike Williamson. Jazz. Score and parts. 62 pages. Island Point Music #2033933. Published by Island Point Music (A0.938206). Four For Tee is a hard swinging feature for your trombone section. Each player in your section has an opportunity to improvise in this composition. Your trombonists and your audience will love this piece.
$45.00
41.99 €
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Ensemble Jazz
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Mike Williamson
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Four For Tee
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Island Point Music
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SheetMusicPlus
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de lo…
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Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, Patriotic. 30 pages. Published by Music for all Occasions
The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!<br> <br> The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.<br> <br> One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.<br> <br> There is a false belief that Marcha Reals author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick IIs army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.<br> <br> According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel IIs reign.<br> <br> After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIIIs time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.<br> <br> The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.<br> <br> Under the Trienio Liberal (1820-1823), the First Spanish Republic (187374) (when it enjoyed of a co-officiality) and the Second Spanish Republic (19311939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the countrys national anthem, under its old title of La Marcha Granadera.<br> <br> Interpretation and etiquette:<br> <br> Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.<br> <br> The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.<br> <br> Being the National Anthem, and in honor of the King and Queen of Spain, its a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.<br> <br> The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.<br> <br> The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.<br> <br> There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.<br> <br> As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas estate in 1997 for 130,000,000 pesetas (~ 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.<br> <br> As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$39.00
36.39 €
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Orchestre
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Manuel de Espinosa de los Monteros (1730-1810)
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Keith Terrett
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Spanish National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
Divertimento for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble - Level 5 - Digital Download SKU: A0.755222 Com…
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Saxophone Quartet,Woodwind Ensemble - Level 5 - Digital Download SKU: A0.755222 Composed by Sy Brandon. 20th Century,Contemporary. 95 pages. Sy Brandon #3418983. Published by Sy Brandon (A0.755222). Divertimento is in three movements. The first movement Frolic has three main thematic ideas. The first contains dotted rhythms, staccato articulation, and meter change. The second thematic idea is related to the first in that it also uses dotted rhythms and meter change, but is more legato and begins with more sustained notes. The third thematic section is thinner in texture, more playful, and has a legato theme over a staccato background. The motivic material in each of these sections has similarities. Contrast is primarily obtained through change of style and mood. These thematic ideas develop throughout the movement by varying key, instrumentation, and melodic material. There are several sections of imitation that are very energetic. The second movement Ballad is lyrical at an Andante tempo. The form of the movement is through-composed as the motives develop into new variations instead of having clearly distinguished themes. There is however a recapitulation that brings the listen back to the opening material. The main motives that develop are a sixteenth note pattern that is arpeggiated and also stepwise, a dotted quarter and eighth note idea that is often on weak beats as well as appearing on strong beats, and scalewise eighth note lines. All of these interweave among the parts with frequent counterpoint and some imitation. The harmony is lush with seventh chords used frequently. The last movement Tarantella is in a lively tempo. The form of this movement is a large ABA(Scherzo, Trio, Scherzo). The A sections are in triple meter while the B section is in duple. The A section is in three parts, forming an ABA within the large A. The material for the first part is motivically derived. The first motive is a dotted eighth, sixteenth, eighth note followed by even eighth notes. The second motive is four chromatic sixteenth notes followed by an eighth note. This motive appears both ascending and descending. The B section within this large A consists of a slurred melodic line that has both stepwise motion and leaps. It is accompanied by staccato chromatic eighth notes. The large B section is folksong-like and is in a recognizable binary form that repeats in a new key. The large A serves as a recapitulation of the opening section and it ends lightly and playfully in keeping with the Divertimento title that means to divert or amuse.
$14.99
13.99 €
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Quatuor de Saxophones: 4 saxophones
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Sy Brandon
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Divertimento for Saxophone Quartet
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Sy Brandon
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SheetMusicPlus
Divertimento for Woodwind Quartet
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.755218 Composed by Sy Brandon. 20th Century,Contemporary. 93 pages. Sy Brandon #3418979. Published by Sy Brandon (A0.755218). Divertimento is in three movements. The first movement Frolic has three main thematic ideas. The first contains dotted rhythms, staccato articulation, and meter change. The second thematic idea is related to the first in that it also uses dotted rhythms and meter change, but is more legato and begins with more sustained notes. The third thematic section is thinner in texture, more playful, and has a legato theme over a staccato background. The motivic material in each of these sections has similarities. Contrast is primarily obtained through change of style and mood. These thematic ideas develop throughout the movement by varying key, instrumentation, and melodic material. There are several sections of imitation that are very energetic. The second movement Ballad is lyrical at an Andante tempo. The form of the movement is through-composed as the motives develop into new variations instead of having clearly distinguished themes. There is however a recapitulation that brings the listen back to the opening material. The main motives that develop are a sixteenth note pattern that is arpeggiated and also stepwise, a dotted quarter and eighth note idea that is often on weak beats as well as appearing on strong beats, and scalewise eighth note lines. All of these interweave among the parts with frequent counterpoint and some imitation. The harmony is lush with seventh chords used frequently. The last movement Tarantella is in a lively tempo. The form of this movement is a large ABA(Scherzo, Trio, Scherzo). The A sections are in triple meter while the B section is in duple. The A section is in three parts, forming an ABA within the large A. The material for the first part is motivically derived. The first motive is a dotted eighth, sixteenth, eighth note followed by even eighth notes. The second motive is four chromatic sixteenth notes followed by an eighth note. This motive appears both ascending and descending. The B section within this large A consists of a slurred melodic line that has both stepwise motion and leaps. It is accompanied by staccato chromatic eighth notes. The large B section is folksong-like and is in a recognizable binary form that repeats in a new key. The large A serves as a recapitulation of the opening section and it ends lightly and playfully in keeping with the Divertimento title that means to divert or amuse.
$14.99
13.99 €
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Flûte, Hautbois, Clarinette, Basson
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Sy Brandon
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Divertimento for Woodwind Quartet
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Sy Brandon
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SheetMusicPlus
Seven Steps To Heaven (2002) for string septet or string orchestra
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - Digital Download …
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.869690 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz. Score and parts. 40 pages. Thomas Oboe Lee #5982647. Published by Thomas Oboe Lee (A0.869690). Seven Steps To Heaven was composed for the Terezin Chamber Music Foundation/Project STEP Summer Education Collaborative in the Berkshires. The work, scored for seven string instruments â 2 violins, 2 violas, 2 cellos & contrabass, is in seven sections: four movements with three interludes in between.Moderato, Humble Vale Interlude IFunk ScherzoInterlude IIBossa nova Interlude III Perpetuo motoWhen Mark Ludwig, Director of the Terezin Chamber Music Foundation, told me that Seven Steps would be premiered at the Hancock Shaker Village, I thought it would be most appropriate to use a Shaker tune as a source for this work.The work begins with Humble Vale. Humble Vale is part of the Hancock Hymnal: 1850 compiled by Deborah Rentz Moore.The most obvious element in this beautiful melody is the predominance of the pentatonic mode. The Funk Scherzo movement is a dissertation on pentatonic subsets: major seconds, minor thirds and perfect fourths. The Bossa nova movement, although not pentatonic melodically, is full of chords derived pentatonically: chords stacked in fourths, for example. The last movement, Perpetuo moto, is most definitely pentatonic in its theme: an incessant repeating figure with explosive pentatonic flurries of major seconds, minor thirds and perfect fourths.In between the four movements I have inserted three interludes. Interlude I is an interlocking pair of waltzing pentatonic melodies for two violins. Interlude II is a solemn march on an Fâsharp pedal. Interlude III is a quasiâcanonic descending scale that resolves into a big Gâflat major chord. It is my intention that these interludes provide a smooth and slithery connection from one movement into the next. Enjoy!!!The work is dedicated to Miles Davis. His 1963 LP/CD Seven Steps To Heaven is a seminal recording for all music lovers. It made a huge impression on me when I was a teenager in São Paulo, Brazil. I must have listened to it a thousand times. I know every solo by heart. Heaven is Milesâ domain.
$9.99
9.32 €
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Thomas Oboe Lee
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Seven Steps To Heaven
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Thomas Oboe Lee
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SheetMusicPlus
Three Chromicons for piano solo
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon For…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon Ford. 21st Century, Contemporary Classical, Impressionistic. Score. 22 pages. Published by David Warin Solomons
The pdf file contains the original score (in letter format) followed by the somewhat larger copy with dedication by the composer and fingerings by Valentin Bogolubov who premiered the 3 Chromicons.<br> <br> The sound sample is the live performance.<br> <br> The Three Chromicons were premiered by pianist Valentin Bogolubov at the Société de concerts de St-Bruno, Saint-Bruno, Quebec, Canada, on 27 January 2007. Bogolubov's adventurous, technically demanding program, which also featured the works of Alexander Scriabin and Jean Chatillon, was accompanied by video animation of numerous works of art, four of which were created by the composer (among them, the Chromicon No. 3).<br> <br> Ford explains the significance of these unique scores:<br> <br> "In both my earliest chromicons, which I had begun to create by the 1980s, and in those I continue to make today, color is the element that links what is seen to what is heard. Unlike composer Alexander Scriabin, who may have been a true synaesthete as the result of a rare neurological condition enabling him actually to hear colors, my approach to color music has been by way of analogy. Although the tones in a musical scale and the colors of a prism both result from specific vibratory frequencies, scales can be replicated in various octaves while there is no comparable transposition observable in the case of the spectrum. However, the analogy between pitch and hue is implicit in the term "chromatic scale" (the Greek chrôma signifies "color"), and on that basis it is possible to equate the twelve tones of Western music with the hues on a twelvefold color wheel: red, red-orange, orange, yellow-orange, yellow, yellow-green, green, blue-green, blue, blue-violet, violet, and red-violet."<br> <br> "By placing the pitch names of the chromatic scale in a separate band around the periphery of a such color wheel, much like the numbers on the face of a clock, and by rotating the central color wheel, it is possible for any given pitch to be aligned and associated with any hue. Such an easily constructed device, which I have dubbed the "chromonomicon," is the key necessary to decipher the musical meaning of my chromicons. The chromicon can be thought of as a calligraphic text in which each discrete area of color is a separate letter."<br> <br> "Although there are literally millions of possible colors, all of them can be categorized as one of the twelve hues shown on the chromonomicon. Instead of being written from left to right or from right to left, the color-letters in a chromicon are arranged concentrically. The shapes of the individual letters, usually painted in watercolor and "illuminated" with metallic paints, colored pencils, and other media, are the result of each artist's creative meditation. The personal meaning of the chromiconic text as a whole emerges during and after this meditation, and may be expressed by a conventional title or accompanying commentary."<br> <br> "Now, anyone wishing to realize a chromicon is at liberty to follow any pathstraight or curvilinearfrom the centermost letter to the periphery, constructing a cantus (melody) by notating the musical pitches associated with each contiguous color-letter encountered along the way. The cantus thereafter serves as the structural basis of a new, freely composed work. The individual pitches in the cantus may be moved to any octave, and may be repeated any number of times before proceeding to the next pitch in the sequence. Customarily, once the final tone of the cantus is reached, the entire melody is heard in reverse (retrograde), resulting in a palindrome. That palindrome is itself subject to varied repetition, so that in formal terms, each realization of a chromicon amounts to a 'mirror' theme with variations."<br> <br> "Chromicon No. 3 travels even further back in collective human memory to the eighteenth century. For all its contemporary melodic and harmonic inflections, the style is pervasively contrapuntal, summoning to mind the polyphonic keyboard textures of Bach and Handel. It eschews the worldly strife and diversions mirrored in the first two chromicons, maintaining a dignified, highly stylized manner throughout, but with its unexpected final cadence on D, there seems to be a fleeting intimation of transcendence."<br> <br> Video of Chromicon III<br> https://www.youtube.com/watch?v=VHMw-vzZlGE
$12.00
11.2 €
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Piano seul
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Joseph Dillon Ford
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Three Chromicons for piano solo
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David Warin Solomons
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SheetMusicPlus
Thierry Pélicant: Concerto for Bassoon and Orchestra, piano reduction and solo part
Basson, Piano (duo)
Bassoon,Piano - Level 5 - Digital Download SKU: A0.534689 Composed by Thierry Péli…
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Bassoon,Piano - Level 5 - Digital Download SKU: A0.534689 Composed by Thierry Pélicant. 20th Century,Concert,Contemporary. Score and part. 25 pages. Musik Fabrik Music Publishing #6230963. Published by Musik Fabrik Music Publishing (A0.534689). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the piano reduction and solo part. The score is also available for sale. The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de lâOise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenetâs last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Ãlise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de lâOise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, childrenâs chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor dâété, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$19.95
18.61 €
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Basson, Piano (duo)
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Thierry Pélicant
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Thierry Pélicant: Concerto for Bassoon and Orchestra, piano reduction and solo part
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Musik Fabrik Music Publishing
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SheetMusicPlus
Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534690 Composed by Thierry P…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music Publishing #6230969. Published by Musik Fabrik Music Publishing (A0.534690). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the orchestral score only. The piano reduction and solo part. is also available for sale. The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de lâOise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenetâs last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Ãlise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de lâOise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, childrenâs chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor dâété, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ..
$29.95
27.94 €
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Orchestre de chambre
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Thierry Pélicant
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Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
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Musik Fabrik Music Publishing
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SheetMusicPlus
La Serenissima (2013) for ten wind instruments
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.86…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.869288 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Largo ââ¬Â¦ III. 48 pages. Thomas Oboe Lee #431451. Published by Thomas Oboe Lee (A0.869288). Instrumentation: 2 flutes, 2 oboes, 2 clarinets in Bb, 2 horns in F, 2 bassoons Program note.Nancy Braithwaite, for whom I have written many works - all of them featuring her instrument the clarinet - told me that she was a member of a wind group based on Richard Straussâ Serenade in E-flat Major, opus 7, for thirteen instruments: two flutes, two oboes, two clarinets, four horns, two bassoons, and contrabassoon. I said to Nancy, I should write a piece for that group. She said that was a good idea. I soon discovered that the name of the group is La Rondine, or the swallow. I then remembered that Puccini wrote an opera called La Rondine. So I told Nancy that I might do a little research on the Puccini opera and come up with a piece inspired by thematic snippets I found in the opera. Well, I did not find Pucciniâs music that conducive to a transformation into TOL music. Around the same time, I stumbled upon a 27-CD box set of nine operas by the Venetian composer Antonio Vivaldi. As I was listening to these obscure operas by Vivaldi it dawned on me that I was very attracted to what I was hearing, and it was seeping into my musical thinking in the most natural way imaginable. Very quickly I was hearing things for this work I planned to write for Nancyâs group, and the music just moved along quite smoothly from one movement into another. At the same time I began reading about Vivaldi and his life as a priest, violinist, teacher, impresario, and composer in the city of Venice and other cities nearby. What a fascinating life he led!!! I also discovered in my reading that the city of Venice at that time was called La Serenissima Repubblica di Venezia. So, instead of a serenade for ten instruments, my work for two flutes, two oboes, two clarinets, two horns and two bassoons, is called La Serenissima as an homage to Antonio Vivaldi and that glorious city of Venice. La Serenissima is in six movements. I. Introduction, allegro ⦠II. Largo ⦠III. Presto ⦠IV. Allegretto ⦠V. Adagio ⦠VI. Molto Allegro ⦠TRIO Enjoy!!!! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/la-serenissima-2013Video link: https://youtu.be/wc9FVAejUww
$9.99
9.32 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Thomas Oboe Lee
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La Serenissima
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Thomas Oboe Lee
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SheetMusicPlus
La Serenissima (2013) for ten wind instruments
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.86…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.869301 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Largo ââ¬Â¦ III. 48 pages. Thomas Oboe Lee #431227. Published by Thomas Oboe Lee (A0.869301). Program note. Nancy Braithwaite, for whom I have written many works - all of them featuring her instrument the clarinet - told me that she was a member of a wind group based on Richard Straussâ Serenade in E-flat Major, opus 7, for thirteen instruments: two flutes, two oboes, two clarinets, four horns, two bassoons, and contrabassoon. I said to Nancy, I should write a piece for that group. She said that was a good idea. I soon discovered that the name of the group is La Rondine, or the swallow. I then remembered that Puccini wrote an opera called La Rondine. So I told Nancy that I might do a little research on the Puccini opera and come up with a piece inspired by thematic snippets I found in the opera. Well, I did not find Pucciniâs music that conducive to a transformation into TOL music.Around the same time, I stumbled upon a 27-CD box set of nine operas by the Venetian composer Antonio Vivaldi. As I was listening to these obscure operas by Vivaldi it dawned on me that I was very attracted to what I was hearing, and it was seeping into my musical thinking in the most natural way imaginable. Very quickly I was hearing things for this work I planned to write for Nancyâs group, and the music just moved along quite smoothly from one movement into another. At the same time I began reading about Vivaldi and his life as a priest, violinist, teacher, impresario, and composer in the city of Venice and other cities nearby. What a fascinating life he led!!! I also discovered in my reading that the city of Venice at that time was called La Serenissima Repubblica di Venezia. So, instead of a serenade for ten instruments, my work for two flutes, two oboes, two clarinets, two horns and two bassoons, is called La Serenissima as an homage to Antonio Vivaldi and that glorious city of Venice. La Serenissima is in six movements. I. Introduction, allegro ⦠II. Largo â¦III. Presto ⦠IV. Allegretto ⦠V. Adagio ⦠VI. Molto Allegro ⦠TRIO Enjoy!!!! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/la-serenissima-2013Video link: https://youtu.be/wc9FVAejUww
$9.99
9.32 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Thomas Oboe Lee
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La Serenissima
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Thomas Oboe Lee
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SheetMusicPlus
Watermelon Man for Clarinet Quintet & Opt. Drumset
Quintette de Clarinettes: 5 clarinettes
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published…
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99
13.99 €
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Quintette de Clarinettes: 5 clarinettes
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Quintet & Opt. Drumset
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Music for all Occasions
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SheetMusicPlus
Duet for Clarinet and Cello
Clarinette, Violoncelle (duo)
Cello,Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.1370262 Compo…
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Cello,Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.1370262 Composed by Winthrop Brookhouse. Arranged by Winthrop Brookhouse. 21st Century,Classical,Contemporary,Instructional. 6 pages. Winthrop brookhouse #954635. Published by winthrop brookhouse (A0.1370262). This duet for clarinet (Bb) and cello has a melodic structure that is based around the Lydian #9 scale. Which is explored in three key changes around the circle of fourths. The sixteenth note is the shortest division in 4/4 time to the quarter note. 72 bpm#clarinet #cello #lydian +9 scale #contemporary classical #original composition.
$2.25
2.1 €
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Clarinette, Violoncelle (duo)
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Winthrop Brookhouse
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Winthrop Brookhouse
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Duet for Clarinet and Cello
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winthrop brookhouse
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SheetMusicPlus
Blue Bonnets an Irish Jig for Steel Band
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.777076 Composed by Traditi…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.777076 Composed by Traditional. Arranged by Scott Meister. Concert,Folk,Holiday,World. Score and parts. 13 pages. Scott Meister #2994145. Published by Scott Meister (A0.777076). A fun traditional Irish Jig for a four voice steel drum ensemble. Add a bodhran player to make it more authentic.
$15.00
14 €
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Ensemble de Percussions
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Traditional
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Scott Meister
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Blue Bonnets an Irish Jig for Steel Band
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Scott Meister
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SheetMusicPlus
Program Repertoire for Brass Quartet
2nd Bb Cornet (Trumpet) Brass Quartet SKU: HL.4474120 2nd B-flat Cornet/Trumpet
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2nd Bb Cornet (Trumpet) Brass Quartet SKU: HL.4474120 2nd B-flat Cornet/Trumpet. Ensemble Collection. Classical, Contest. 16 pages. Published by Rubank Publications (HL.4474120). UPC: 073999741209. 9.0x12.0x0.066 inches.Scored for 1st and 2nd cornet/trumpet, F horn or trombone (third part), and trombone or baritone (fourth part) This great collection of grade 2-3 music for brass quartet appears on many state contest lists and includes pieces of varying lengths and styles to suit any performance opportunity. The fifteen works in this series include classics as well as contemporary pieces by the original Rubank composers. A must for your school or church library.
Song List
: Song Of The Sea Toreador Song Sarabande Variata (Handel) An Autumn Story (Koepke) Andante & Menuetto Fanfare March (Shelukov) I Am Alone (Massenet-Irons) Interlude Latinette (H.Walters) Pomp & Panoply (Koepke) Prelude & Scherzo (Ostransky) Rondo Humoreske (M.Dieterich) Sonatina #6 (Forestier-Johnson) Two Equali (Beethoven-Beeler)
$5.99
5.59 €
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Program Repertoire for Brass Quartet
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Rubank Publications
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SheetMusicPlus
Program Repertoire for Brass Quartet
4th Part (Baritone T.C.) Brass Quartet SKU: HL.4474170 Baritone T.C. (Fourth Par…
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4th Part (Baritone T.C.) Brass Quartet SKU: HL.4474170 Baritone T.C. (Fourth Part). Ensemble Collection. Classical, Contest. 16 pages. Published by Rubank Publications (HL.4474170). ISBN 9798350111668. UPC: 073999316308. 9.0x12.0x0.064 inches.Scored for 1st and 2nd cornet/trumpet, F horn or trombone (third part), and trombone or baritone (fourth part) This great collection of grade 2-3 music for brass quartet appears on many state contest lists and includes pieces of varying lengths and styles to suit any performance opportunity. The fifteen works in this series include classics as well as contemporary pieces by the original Rubank composers. A must for your school or church library.
Song List
: Song Of The Sea Toreador Song Sarabande Variata (Handel) An Autumn Story (Koepke) Andante & Menuetto Fanfare March (Shelukov) I Am Alone (Massenet-Irons) Interlude Latinette (H.Walters) Pomp & Panoply (Koepke) Prelude & Scherzo (Ostransky) Rondo Humoreske (M.Dieterich) Sonatina #6 (Forestier-Johnson) Two Equali (Beethoven-Beeler)
$6.99
6.52 €
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Program Repertoire for Brass Quartet
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Rubank Publications
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SheetMusicPlus
Program Repertoire for Brass Quartet
3rd Part (1st Trombone) Brass Quartet SKU: HL.4474150 Trombone (Third Part).…
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3rd Part (1st Trombone) Brass Quartet SKU: HL.4474150 Trombone (Third Part). Ensemble Collection. Classical, Contest. 16 pages. Published by Rubank Publications (HL.4474150). ISBN 9798350106893. UPC: 073999741506. 9.0x12.0x0.114 inches.Scored for 1st and 2nd cornet/trumpet, F horn or trombone (third part), and trombone or baritone (fourth part) This great collection of grade 2-3 music for brass quartet appears on many state contest lists and includes pieces of varying lengths and styles to suit any performance opportunity. The fifteen works in this series include classics as well as contemporary pieces by the original Rubank composers. A must for your school or church library.
Song List
: Song Of The Sea Toreador Song Sarabande Variata (Handel) An Autumn Story (Koepke) Andante & Menuetto Fanfare March (Shelukov) I Am Alone (Massenet-Irons) Interlude Latinette (H.Walters) Pomp & Panoply (Koepke) Prelude & Scherzo (Ostransky) Rondo Humoreske (M.Dieterich) Sonatina #6 (Forestier-Johnson) Two Equali (Beethoven-Beeler)
$6.99
6.52 €
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Program Repertoire for Brass Quartet
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Rubank Publications
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SheetMusicPlus
Program Repertoire for Brass Quartet
4th Part (2nd Trombone, Baritone B.C.) Brass Quartet SKU: HL.4474160 Trombone/Ba…
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4th Part (2nd Trombone, Baritone B.C.) Brass Quartet SKU: HL.4474160 Trombone/Baritone B.C. (Fourth Part). Ensemble Collection. Classical, Contest. 16 pages. Published by Rubank Publications (HL.4474160). UPC: 073999741605. 9.0x12.0x0.071 inches.Scored for 1st and 2nd cornet/trumpet, F horn or trombone (third part), and trombone or baritone (fourth part) This great collection of grade 2-3 music for brass quartet appears on many state contest lists and includes pieces of varying lengths and styles to suit any performance opportunity. The fifteen works in this series include classics as well as contemporary pieces by the original Rubank composers. A must for your school or church library.
Song List
: Song Of The Sea Toreador Song Sarabande Variata (Handel) An Autumn Story (Koepke) Andante & Menuetto Fanfare March (Shelukov) I Am Alone (Massenet-Irons) Interlude Latinette (H.Walters) Pomp & Panoply (Koepke) Prelude & Scherzo (Ostransky) Rondo Humoreske (M.Dieterich) Sonatina #6 (Forestier-Johnson) Two Equali (Beethoven-Beeler)
$6.99
6.52 €
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Program Repertoire for Brass Quartet
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Rubank Publications
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SheetMusicPlus
Program Repertoire for Brass Quartet
1st Bb Cornet (Trumpet) Brass Quartet SKU: HL.4474110 1st B-flat Cornet/Trumpet
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1st Bb Cornet (Trumpet) Brass Quartet SKU: HL.4474110 1st B-flat Cornet/Trumpet. Ensemble Collection. Classical, Contest. 16 pages. Published by Rubank Publications (HL.4474110). UPC: 073999741100. 9.0x12.0x0.066 inches.Scored for 1st and 2nd cornet/trumpet, F horn or trombone (third part), and trombone or baritone (fourth part) This great collection of grade 2-3 music for brass quartet appears on many state contest lists and includes pieces of varying lengths and styles to suit any performance opportunity. The fifteen works in this series include classics as well as contemporary pieces by the original Rubank composers. A must for your school or church library.
Song List
: Song Of The Sea Toreador Song Sarabande Variata (Handel) An Autumn Story (Koepke) Andante & Menuetto Fanfare March (Shelukov) I Am Alone (Massenet-Irons) Interlude Latinette (H.Walters) Pomp & Panoply (Koepke) Prelude & Scherzo (Ostransky) Rondo Humoreske (M.Dieterich) Sonatina #6 (Forestier-Johnson) Two Equali (Beethoven-Beeler)
$5.99
5.59 €
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Program Repertoire for Brass Quartet
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Rubank Publications
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SheetMusicPlus
fourteen
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.954269 Composed by Adam Sc…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.954269 Composed by Adam Scott Neal. 20th Century,Contemporary,Pop. Score and parts. 41 pages. Adam Scott Neal #2807645. Published by Adam Scott Neal (A0.954269). Program note:fourteen, for percussion ensemble, is a mellow piece for a rainy day.Performance note:fourteen is written for early high school level percussion ensemble. While rhythmically simple, the players are encouraged to focus on the small details and changes in their parts, as well as the ways in which their parts work together. Seven players: glock/chimes, vibraphone, marimba, woodblock/cowbell, snare/tom, cymbals, cymbals.
$17.99
16.78 €
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Ensemble de Percussions
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Adam Scott Neal
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fourteen
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Adam Scott Neal
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SheetMusicPlus
BOYCE TRIO SONATA No. 8 IN Eb FOR FLUTE, OBOE & CLARINET
Flûte, Hautbois, Clarinette (trio)
Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A…
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Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.811738 Composed by William Boyce (1711 - 1779). Arranged by Pat Spence. Baroque,Concert,Graduation,Standards,Wedding. 20 pages. Piper Publications #5723597. Published by Piper Publications (A0.811738). This is the eighth of a set of twelve trio sonatas published in London in 1747 by John Walsh for two violins and cello or harpsichord by William Boyce 'composer to His Majesty' King George the second with the 'Royal Privilege and Licence' for the sole printing and publishing rights for fourteen years. The subscription list comprised the 'Who's Who' of the time including one George Frederick Handel Esq;The three movements, Largo, Siciliana and Minuet are suitable for players of intermediate standard and above. The musical notation has been modernised e.g. dotted notes carried over bar/measure lines have been replaced by ties. Additional dynamics have been added in parentheses ( ). The original dynamics were indicated in full and have been replaced with the more modern abbreviations. e.g. piano is replaced by p.
$12.00
11.2 €
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Flûte, Hautbois, Clarinette (trio)
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William Boyce
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Pat Spence
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BOYCE TRIO SONATA No. 8 IN Eb FOR FLUTE, OBOE & CLARINET
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Piper Publications
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SheetMusicPlus
for Sasha (string orchestra)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.872717 Composed by Philip Ore…
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String Orchestra - Level 3 - Digital Download SKU: A0.872717 Composed by Philip Orem. Contemporary. Score and parts. 25 pages. Philip Orem #6486791. Published by Philip Orem (A0.872717). Originally the second movement of a brass sextet, this begged to be arranged and adapted for string orchestra. Sasha was a beautiful husky that lived with me for fourteen years and the writing of this was part of my grieving process. His name is spelled out at one point in the score and the main melody is a bit of a nonsense song I used to sing to him. This elegy will move both performers and listeners.
$30.00
27.99 €
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Orchestre à Cordes
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Philip Orem
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for Sasha
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Philip Orem
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SheetMusicPlus
Oh Shenandoah (for alto saxophone and piano)
Saxophone Alto et Piano
Composed by Traditional. Arranged by Colin Kirkpatrick. Folk, Fourth of July, Annive…
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Composed by Traditional. Arranged by Colin Kirkpatrick. Folk, Fourth of July, Anniversary, Wedding, Americana. Set of Parts. 9 pages. Published by Colin Kirkpatrick Publications
This beautiful song is one of the most popular American folk songs, evoking images of the river life of yesteryear. It is sure to be a popular addition to your saxophone recital, or it would make an excellent encore piece. The top note is D (written) above the treble staff and the duration is 03:55.<br> <br> As with most folk songs, there are many different versions of Shenandoah, and its impossible to determine the songs exact provenance with any degree of certainty. It probably has its origins among the French Canadians who traded with Native Americans around the Great Lakes during the sixteenth century. In most versions of the song, the lyrics tell of a seafarer, possibly a canoeing fur-trader, who was in love with the daughter of Shenandoah, a Native American Chief who lived in what is now the state of Virginia. Shenandoah was a real person: an individual of commanding presence who lived for over a hundred years. <br> <br> Sailors heading down the Mississippi picked up the song and made it a capstan shanty, which they sang while hauling in the anchor. By the mid-1800s versions of the song were heard almost everywhere the clipper ships ventured. Shenandoah was one of the most popular capstan shanties, a slow song which set a manageable pace for the crew in a heavy and lengthy task. Add this lovely American song to your repertoire today!
$6.99
6.52 €
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Saxophone Alto et Piano
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Traditional
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Colin Kirkpatrick
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Oh Shenandoah
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Colin Kirkpatrick Publications
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SheetMusicPlus
Caeleb Tee - Four Bagatelles
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.912735 Composed by Caeleb Tee. 20th…
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Piano Solo - Level 4 - Digital Download SKU: A0.912735 Composed by Caeleb Tee. 20th Century,Concert,Jazz,Ragtime. Score. 20 pages. Caeleb Tee #4354743. Published by Caeleb Tee (A0.912735). Four Bagatelles, is a set of 4 stylized jazz pieces for solo piano, composed by Caeleb Tee.Duration: 9 minutesLike Caeleb Tee on Facebook: https://www.facebook.com/caelebtee.composerOfficial Website: www.caelebtee.com
$14.99
13.99 €
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Piano seul
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Caeleb Tee
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Caeleb Tee - Four Bagatelles
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Caeleb Tee
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SheetMusicPlus
EIGHTEEN IN ITALY Movement I, Letters from a Poet in Italy
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1081893 By Francis Osentowsk…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1081893 By Francis Osentowski, music Jerry McElveen, text. By Francis Osentowski, DMA University of North Texas. Arranged by Original composition. Contemporary,Contest,Festival,Instructional,Multicultural,Opera,World. Score. 7 pages. Francis Osentowski #686005. Published by Francis Osentowski (A0.1081893). Eighteen in Italy is song one of a four-part song cycle. 1. Eighteen in Italy 2. Caregiver 3. Colosseum 4. David. The beautiful poems by former Richland College Professor, Jerry McElveen describes a tour of Italy by a group of faculty and families. In a beautiful ballroom in Rome on the last day of the tour, Jerry surprised all of us by reciting poems he had created during the tour. When he began presenting his texts...I immediately knew those words were perfect for a musical setting! Our pieces have been performed often throughout the DFW area. Marsha Anderson is a North Lake College faculty member who was an opera singer in Italy for decades and later taught a student credit trip to Italy. You will her perform at University of Texas Arlington with me at the piano. I now think each of the songs should slow down a few clicks to breath more for the singer. The talented young soprano, Erin Alcorn performed the cycle more recently and both performer and my music received excellent reviews from the Dallas Morning News music critic, Scott Cantrell. Several performers have told me that the songs are very comfortable to perform, and the music is suitable for young singers. All four songs are available to purchase at this site.
$5.99
5.59 €
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Piano, Voix
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Francis Osentowski, music Jerry McElveen, text
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Original composition
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EIGHTEEN IN ITALY Movement I, Letters from a Poet in Italy
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Francis Osentowski
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SheetMusicPlus
Overture for Strings No. 3 - Score Only
String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bo…
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String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Parisâ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologneâs father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologneâs father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the childâs mother returned to France and set up housekeeping as a family in Parisâ Saint-Germain-des-Prés district.At age thirteen Josephâs father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the Kingâs Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his fatherâs royal title of âGentleman of the Kingâs Chamber,â or to marry outside his class.There is limited information about Bologneâs musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossecâs orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets âau goût du jourâ [up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called âsinfoniaâ) in that they have an overall âA-B-Aâ form with the âAâ sections being robust allegros and all âBâ sections marked ârondo.â As such, in arranging them for string orchestra it seemed quite natural to rename them âovertures.â Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.32 €
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Joseph Bologne, Chevalier de St
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Robert Debbaut
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Overture for Strings No. 3 - Score Only
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ROBERT DEBBAUT
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SheetMusicPlus
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